Yaa Gyasi "Homegoing" (Penguin)

The stories of each generation, told in individual chapters, focus on one descendant of Effia and one of Esi and they run parallel to each other on down through the family tree, showing the long arc of divergence and eventual convergence in this one representative family.
Each chapter captures a brief snapshot of life for the character in question leaving large swathes of time out of the narrative, focusing the reader's attention on the historical moment almost as much as on the character themselves. Each story is a distillation of that historical generation's experiences in both the US and Ghana. The family tree in the beginning of the book comes in handy in keeping everyone straight and for comparing how far from the original sisters each person is, giving the reader additional perspective since the characters themselves progressively lose pieces of their familial history as time goes on.
The novel is epic in scope but the chapters and stories themselves are each self-contained and tightly focused. The narrative starts out leisurely and captivating but speeds up in later chapters and the final chapters unfold with less nuanced pictures of the later characters' lives, highlighting their generation's historical moments more than their individuality and the ending itself, while clearly symbolic, might be just a little bit too much. Gyasi has written a sweeping and expansive novel of black history, in surprisingly few pages, that encompasses the biggest movements, tragedies, and outrages against a people in two different countries. It tackles not only the horrors of slavery and colonialism but also the truth and shame of complicity.
The novel is unflinching in its look at inhumanity and institutionalized hardship but it also shows instances of deep and abiding love, acceptance, and perseverance. A worthwhile and important read, no wonder it won or was nominated for so many awards.