jazzy_dave: (Default)
I am currently listening to the Karajan 100 Anniversary Box set 2008 of the complete Beethoven Symphonies - all none of them plus a few overtures. These were recorded with the Philharmonia Orchestra of London in the late fifties before Karajan moved to drill the Berlin Phil into the powerhouse it became.

The 5 CD box set is all mono recordings but gloriously restored and sounding great. So a youngish Karajan flexing his muscles here. Slight rough edges but is even better for it than the smooth gloss he achieved in Berlin.

I also have the recordings he di in the eighties on DG.


Beethoven*, Philharmonic Orchestra*, Herbert von Karajan - The 9 Symphonies imageBeethoven*, Karajan*, Berliner Philharmoniker - 9 Symphonien, Ouvertüren image


I also have this wondeful version of them by Herbert Blomstedt with the Staatskapelle Dresden.


Beethoven*, Staatskapelle Dresden, Herbert Blomstedt - Symphonies Complete image

But do not take my word for it, check this out from an expert -

Random Reviews No. 29 (Beethoven Cycles by Karajan, Klemperer, Dorati)



I must admit the Klemperor cycle does sound very tempting.
jazzy_dave: (bookish)
Darren Henley and Sam Jackson "Everything You Ever Wanted to Know About Classical Music" (Elliott & Thompson)




I absolutely loved this book. It has been such a clear exposition of the genre.

This book has helped me understand a number of musical terms which helps me feel connected to what is called 'classical music'.

This book is written with a great balance of brevity, hilarity and seriousness where needed. It doesn't use a lot of technical jargon which means it is very user friendly and enables people who doesn't unnderstand musical terminology, to get an insight into this type of music. There are many pieces of classical music named to give you an example of the type of music they're talking about.

I would highly recommend this book to anybody who wants to understand classical far better than they do but they don't want to have to get a degree to do it.

Well done to the authors of this book.
jazzy_dave: (Default)
Some from  the east comrades.

Alexander Borodin - In the Steppes of Central Asia



A musical journey to Mongolia. Dresden Staatskapelle conducted by Kurt Sanderling.

Mikhail Ivanovich Glinka - La séparation "Nocturne in F Minor"



Dmitri Shostakovich - Waltz No. 2



ENJOY
jazzy_dave: (Default)
Another fine sunny cold day but now it looks likely we will have rain for the next couple of days. Blah!

Lunch was a delicious chicken roast dish and for the afternoon snack, well dinner almost, I had a salmon and haddock chowder.

Been checking what my mystery shopping companies are posting and there is not that much to my liking. In fact, it feels very quiet there. I am not disconcerted, yet, as it will allow me to visit my brother more often this coming month.

Meanwhile, I was listening to a fascinating podcast on the evolution of music in Asia in general. I then thought of the Georgian composer, Giya Kancheli, whose music has gone through postmodern polystylism through to the spiritual minimalism of Arvo Part. In a similar vein to a trajectory by Alfred Schnittke. I first heard of Kancheli via the wonderful Wire magazine. That is why it was so great to find his third and sixth symphony on a CD from my last visit to Rainham for twenty-five pence or four for a quid.




I am listening to this right now and I find it is a wonderful evocate piece, especially the third.
jazzy_dave: (Default)
Some classical stuff - for [livejournal.com profile] chocolate_frapp.

Sergei Prokofiev - Alexander Nevsky "The Battle of the Ice"



Yuri Temirkanov conducting the St. Petersburg Philharmonic Orchestra

Sergei Prokofiev - Dance of the Oprichniks from Ivan the Terrible Part II



Fyodor's song and the dance of the oprichniks from Ivan the Terrible Part II, directed by Sergei Eisenstein. Filming was completed in 1946, but the movie wasn't released until 1958.

ENJOY
jazzy_dave: (Default)
Gregorio Allegri's - Miserere mei Deus




Peter Phillips: The Tallis Scholars
jazzy_dave: (Default)
Time for some music I think.

John Barry - The Beyondness Of Things



Claude Debussy - The Girl With The Flaxen Hair



Préludes, Livre I, CD 125, L. 117: No. 8, La fille aux cheveux de lin (Arr. for Violin and Orchestra) · Nigel Kennedy · English Chamber Orchestra



Rosalind at 20 which was taken by my bro and developed by him.

In memory of Rosalind Jane Sumner. Rest in peace.

Sergei Rachmaninov - Vocalise



Vocalise, Op. 34 · David Parry, Pieter Schoeman & London Philharmonic Orchestra

These were in the order of service. I am welling up again.

ENJOY
jazzy_dave: (Default)
Time for some music and a bit classical -

Schubert - Piano Sonata No.21 in B flat, D. 960



Mitsuko Uchida, piano 1997
1.Molto moderato 21:59
2.Andante sostenuto 10:38
3.Scherzo 3:55
4.Allegro ma non troppo 7:59

Mitsuko Uchida is a very rare pianist. She puts composer and his music first and her performer's abilities, emotions, ego and intellect second. Her approach is built around commintment to the composer's idea and spirit. Thus no silly drama, no unnecessary displays of virtuosity, no mannered phrazing, no sound teatrics - all these are just don't exist in her universe. She goes deep, very deep. She lets the piece breathe and unfolds in its own natural way and at inherent to it tempos. In her hands something so familiar is heard anew. The effect of intimacy she produces is a natural outcome of her own intimacy with material. That way her approach is akin to methods of Grigori SOKOLOV. Blessed with light touch and precise articulation she poduces limpid shimmering sound - never exaggerated or forced. That artful approach would not jibe with masses. That is not her concern. Star status is for glory hungry narcissists. A true poet like her would just be concerned with music and its matters right there at the keyboard. All the better for us.
jazzy_dave: (Default)
All are classical from Sunburst Books in Rainham -






All for a total of three pounds. 

CD Boxes

Jan. 22nd, 2022 08:51 am
jazzy_dave: (Default)
I have filled up two of the four plastic CD cases already. One full of classical music and one full of jazz related music.



This morning I have been playing the wonderful interpretations of some of Mozart's string quartets.



Thanks again, Tony.

Ives

Jan. 9th, 2022 08:17 pm
jazzy_dave: (Default)
Some Ives for you -

Charles Ives - Three Places in New England



Charles Ives - The Unanswered Question



Enjoy
jazzy_dave: (Default)
Well, it started a sunny day but now it has clouded over. I feel that we could have rain today. As far as I am aware, we did not have rain yesterday although it was forecasted.

I was waiting for a piece of furniture to arrive but that did not happen due to other circumstances. However, I did have a good chat with Dawn midday in the common room where I had cooked my pizza for lunch. Join the Hat popped in because his daughter gave him some red wine which he does not drink, saw me, and asked if I was interested in a bottle of red, to which I confirmed, and this started drinking from one of my wine glasses after I consumed my pizza.



A couple of CDs dead cheap arrived today. A Sea Symphony by the great Vaughan Williams and Smetana's Ma Vlast.




Music is the best solution to settle a savage heart. Music is universal and every dictator or tin pot crazy should listen to music because maybe they will be better people, hopefully.
jazzy_dave: (Default)
From a wonderful collection on Marco Polo, I found today in Rainham is this lovely piece -

Alexander Glazunov - Saxophone Concerto in E-Flat Major, Op. 109: Allegro moderato - Andante - Allegro




ENJOY
jazzy_dave: (Default)
Another glorious piece of music by Vaughan Williams and the most sumptuous passionate version - oh yeah!
-
Silvestri conducts Vaughan Williams - Fantasia on a Theme by Thomas Tallis



Fantasia on a Theme by Thomas Tallis by Vaughan Williams. Constantin Silvestri conducted the Bournemouth Symphony Orchestra in this classic EMI recording from 1968. Silvestri made some great records during his time at Bournemouth and this is one of his most famous ones. An excellent alternative to the wonderful Barbirolli version.


ENJOY AND WALLOW IN ITS MAGNIFICENCE
jazzy_dave: (Default)
Some for the night people.

The Pointer Sisters - Black Coffee



Paul Weller - Black is the Colour



Peggy Seeger - Jack Frost



Dante Alighieri - Vide cor Meum



Song
Vide Cor Meum
Artist
Patrick Cassidy/Dante Alighieri
Dante is the author of the Divine Comedy.

ENJOY
jazzy_dave: (Default)
Finally, one of the glorious symphonies from Vaughan Williams -

Ralph Vaughan Williams - Symphony No. 5 in D Major



Ralph Vaughan Williams, Symphony No. 5 in D Major
Conducted by Sir Adrian Boult and The London Philharmonic Orchestra

I. Preludio (Moderato - Allegro - Tempo I) 0:00​
II. Scherzo (Presto misterioso) 11:34
III. Romanza (Lento) 16:50​
IV. Passacaglia (Moderato - Allegro - Tempo promo - Tempo del Preludio) 27:46


ENJOY
jazzy_dave: (Default)
Peggy Seeger - The Two Sisters




This is one of those classic folk songs that Peggy Seeger recorded in London after fleeing America with Alan Lomax during the McCarthyism hysterical witch hunt of looking for so called “communists.”
Though collected in the Virginia mountains this song in one of many variations of a European song that in this case relates to how one sister murders the other, how a minstrel comes along and fashions an instrument out of her bones and hair, and of how, when played, the instrument tells the story of the murder. With a change of gender and of the instruments, it is the same story in which Gustav Mahler based his early cantata Das Klagende Lied.



Gustav Mahler - Das klagende Lied - Part 1: Waldmärchen



Das klagende Lied (Song of Lamentation) is a cantata by Gustav Mahler, composed between 1878 and 1880 and greatly revised over the next two decades. In its original form, Das klagende Lied is the earliest of his works to have survived (a fragment, the Piano Quartet movement in A minor, is believed to date from 1876).

Part I: Waldmärchen (Forest Legend)

A beautiful yet scornful queen decides to hold a contest, the winner of which will be awarded her hand in marriage. The knight who finds a red flower in the forest, she announces, will be judged the winner. Two brothers, in particular, one kind and chivalrous, the other wicked and blasphemous, venture into the thicket to find the elusive flower. The gallant brother quickly finds the flower, places it in his cap, and dozes off in the field. Coming upon this scene, the wayward brother draws his sword and kills his sibling, seizing the flower for himself.

Part II: Der Spielmann (The Minstrel)

A minstrel, wandering through the forest, stumbles across a bleached bone in the shade of a willow tree and carves it into a flute. The slain brother sings through the flute, telling the minstrel the details of his unfortunate death. The minstrel resolves to find the queen and inform her of what he has learned.




Part III: Hochzeitsstück (Wedding Piece)

On the same day, the minstrel is to arrive at the castle to divulge his discovery, a celebration in honour of the queen's marriage takes place. The murderer-knight, quiet and pale, reflects morbidly on his rash course of action. The minstrel arrives and plays the slain knight's bone-flute. The king-to-be confiscates the flute, but upon playing it himself is accused by his brother of ending his life early for an unjust reason. Pandemonium ensues: the queen faints, the partygoers flee, and the castle collapses.



So one folk tale with different interpretations.

ENJOY
jazzy_dave: (Default)
A couple from Puccini's La Boheme.

Puccini - La Boheme: Si. Mi chiamano Mimi




La Bohème: Si, mi chiamano (extract with voiceover)
Artist
Angela Gheorghiu/Orchestra Sinfonica di Milano Giuseppe Verdi/Anton Coppola

Ileana Cotrubas & Neil Shicoff - Sono andati? (La Bohème)



Mimi's death still cuts me up every time I hear it.

ENJOY
jazzy_dave: (Default)
Well, to me it is self-evident. The pinnacle of art music heading towards the Second Viennese School of Berg, Schoenberg and Webern.



enjoy
jazzy_dave: (Default)
Maybe moribund perhaps but sad - oh yes.



Concertos aren't particularly well known for being sad, so in this video I talk about a piece I think is probably the Saddest Concerto ever written. I explain how it flips the norms of the concerto genre.
David Bruce.

ENJOY

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