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Time for some divergent sounds -



Yatta - Blues



T-Bone Walker - Super Black Blues



SUNN O))) - Frost (C)



Jennifer Walshe - ALL THE MANY PEOPLS (excerts)



"All the Many Peopls", was a live event with the Irish artist and composer Jennifer Walshe.

All the Many Peopls combines a variety of musical genres through the use of visual and audio references and instruments, creating a fragmentary universe consisting of audio taken from recordings of interstellar noise made by space agencies, video games, sound from YouTube videos shot by soldiers on their phones in war zones and many more. These sounds are juxtaposed with archival footage from safety films and home movies, shot mostly in America in the mid-20th-century. As Jennifer Walshe herself says, the work consists of “a sort of debris we are living in every day”, in the form of random pieces of images and sounds from everyday life.

There are many areas of contact between the works of Jennifer Walshe and those of Joan Jonas: the investigation of the presence of the performative body; the use of a variety of artistic languages and technological media; the transactions between reality and scenic fiction; and the use of disguises and alter egos. In the work of both artists, one can observe the deconstruction of the physical identity and liberation of the personality of the artist, including gender-bound perceived images of women.

ENJOY
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Out in town midday, I was getting some food items and then went around a few of the charity shops, and not looking for anything specific. However, serendipity took hold, as I ventured into one I tend to forget about and found a CD that you would not normally see in a chazzer. Robert Hampson's Main - a post-rock electronica drumless ambient group. I found the CD by them Firmament II for a quid!

It came out in 1996 on the Beggars Banquet label - the label that gave you the jazz fusion hit by Freeez, called Southern Freeez. Now if you have heard of that track well here it is plus some by Main.

Freeez - Southern Freeez



One of the top tunes when I was a DJ in Brighton!


Main ‎– Firmament III



ENJOY

Rehberg 2

Jul. 25th, 2021 10:31 pm
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In 2012, Rehberg began an archival project, reissuing work from the Groupe de Recherches Musicales (GRM), a collective of musicians working in the 1950s onwards, headed by Pierre Schaeffer, who had experimented with the potential of electronics. Rehberg’s Recollection GRM series issued music by Schaffer, Bernard Parmegiani, Iannis Xenakis, Beatriz Ferreyra and more.

Bernard Parmegiani -  Pop Eclectic (1968)





Other collaborators included Z’ev, Ramon Bauer, and Nik Void of British band Factory Floor, with whom he formed the duo NPVR. In a major collaboration, he also worked with French artist Gisèle Vienne on a number of projects, soundtracking her work which spans dance, visual art and theatre.

Z'ev - Headphone Music Track 1




He outlined his broadminded approach to music in a 2016 interview – “music these days is very much sold in its own little box … I have always been not very interested in that” – and explained his views on tone: “I have always found that if you want to make something noisy, you have to make something that is harmonic as well. Dissonance and resonance have to co-exist, for the other to work, I think.”

Artists paying tribute to Rehberg included Mouse on Mars, who said: “This completely and utterly absurd. Not ready for a world without Peter Rehberg and Editions Mego.”

Mouse On Mars - Chagrin



Ambarchi wrote: “We are all absolutely heartbroken.” Alessandro Cortini said: “Safe travels Peter Rehberg: you and your incredible contributions to the world of sound will live forever.”

Oren Ambarchi - Hubris, Pt. 1 [Editions Mego]



ENJOY
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This is a Brighton based improvising and experimental collective. When I lived in the city I saw them enumerable times and they played locally in churches, local hall, of charity shop spaces. I knew all the members of the band including Stephen Drennan and the instigator of the collective Alasdair Willis. In fact, The Vitamin B12 is a varying number of individuals, from one upwards, but nearly always including Alasdair Willis.

There are few YouTube videos of them and also their music is on small self-produced albums or cassettes.

The Vitamin B12 - keio rhythm 03



The Vitamin B12 - North Lane and The Laines



The Vitamin B12 - Formation 21




Vitamin B12 - Sleep patterns



ENJOY
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Somebody must have uploaded this during the free music festival in Brighton 2007 as I was there seeing them and also The Vitamin B12 - another Brighton collective of improvisers.

Hamilton Yarns at Oxfam Western Road Brighton



This is from their first album - on LP and now difficult to find -

Hamilton Yarns - Are You Still There?



ENJOY
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I have not dome a music post for a while so I will start with two tracks from a band I have seen twice, as they are based in Brighton. Yes, my old city that lived in for many years, and bought their first album on LP and a couple of CDr's. They self-produced all their recordings and hence available only on Lp or CDr. This can make their recordings hard to find but their last major work from 2015 is available - and if not the whole album is downloadable at Amazon.

I also knew a couple of the members of the band.

That album was also number 8 in Wire's Avant Rock best of 2015 in the Jan 2016 issue of the mag.

So here are a few tracks from that 2015 album on CDr only -

Hamilton Yarns - Thick of It




>Hamilton Yarns - Forget Things




Hamilton Yarns - Across the Sky



ENJOY
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The Wire has introduced me to some great female voices and new composers in both electronica, and classical genres. Here is another new one to me -

Claire Rousay - March 21, 2020 - The Quarantine Concerts




Based in Texas, musician and performer Claire Rousay describes her work as “explor[ing] human relations and self-perception”. As this brace of albums reveals, she achieves this with a minimum of means – keyboards, electroacoustic collages, moments of snatched recordings. Both a softer focus and ilysm share a similarity in their intimacies – they show Rousay looking out onto the world and using the sounds it provides as a compositional source – but each album is characterised by different and well-calibrated nuances.

Ilysm available only as a download from Bandcamp.

Pass the wine, please.

Claire Rosay - It was always worth it






ENJOY
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Finally, live recordings from YouTube -

Jaimie Branch’s FLY or DIE quartet | Vision Festival 23



Jaimie Branch's FLY or DIE quartet perform compositions from their self-titled debut record. Performed and recorded on May 28, 2018, at Arts for Art Vision Festival 23, Roulette, Brooklyn.

Jaimie Branch - trumpet, composition / Lester St. Louis - cello / Chad Taylor - drums / Anton Hatwich - bass

Susie Ibarra and Roberto J. Rodriguez - Concerto Electric Kulintan



Susie Ibarra and Roberto J. Rodriguez: Concerto Electric Kulintan - Teatro Fondamenta Nuove - Venezia - Italy

I have actually seen Susie Ibarra live way back in the 2000s in one of the yearly L.M.C (London Musicians Collective) festivals. of free jazz, improv and such cross-pollination.

ENJOY
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Tome for some outer limits -

Mordant Music - Inn Ohm the Lake



Nurse With Wound / Stereolab - Simple Headphone Mind




Pauline Anna Strom - Marking Time



Mordant Music - The Hauntological Song




ENJOY
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After the recent death of the wonderful Chick Corea, it is sad to hear of another great improviser and drummer Milford Graves.

Milford Graves: jazz drummer dies aged 79

https://www.theguardian.com/music/2021/feb/13/milford-graves-jazz-drummer-dies-aged-79


Milford Graves performing at the 2003 Vision festival in New York

Milford Graves HeArt Quintet | Vision Festival 20



Milford Graves - drums, percussion, Charles Gayle - tenor sax, Hugh Glover - alto sax, Ted Daniels - trumpet, William Parker - bass

Milford Graves led the HeArt Quintet at the 20th annual Vision Festival, an ensemble of close collaborators including William Parker, Charles Gayle, and Hugh Glover, who is best known for performing with Graves throughout the ‘70s and documented on the recording Bäbi.

From the Festival program:
Graves is a renaissance man whose original drumming is rooted in African and Caribbean rhythms. His scientific research on the effect of rhythm on the heart translates into music that moves and challenges. The members of Graves’ heart Quartet understand that rhythm is healing when it comes from the body’s rhythms and that music is most powerful when it is in tune with the heart.

Filmed and recorded July 9, 2015, for AFA Vision Festival 20 at Judson Memorial Church, NYC.
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More bleeps and noises -

John Cage - Williams Mix (1952/1953)



This is a work for eight tracks of ¼ inch magnetic tape. The score is a pattern for the cutting and splicing of the sounds recorded on the tape.
The rhythmic structure is 5-6-16-3-11-5.
The sounds are in 6 categories: A (city sounds), B (country sounds), C (electronic sounds), D (manually produced sounds), E (wind produced sounds) and F ("small" sounds, which need to be ampified). Pitch, timbre and loudness are notated as well.
Approximately 600 recordings are necessary to make a version of the piece.
The compositional means were I Ching chance operations.
Cage made a realization of the work in 1952/53 (starting in May 1952) with the assistance of Earle Brown, Louis and Bebe Barron, David Tudor, Ben Johnston and others, but it also possible to create other versions, using the score.

Iannis Xenakis - Concret PH




Concret PH, the title being a reference to the architectural design and construction material, is a crackling two minutes of pointillistic sounds. Xenakis recorded the sound of burning charcoal, then layered and transposed the recordings to create evolving densities and ranges of snaps, crackles, and pops. This piece, along with Varèse's Poème électronique, remains a classic of the electroacoustic genre.

ENJOY
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Ancient texts and spirituals meet electronica -

ARIADNE - Stabat Mater



ABOUT STABAT MATER:
Stabat Mater is a 20 movement cycle of audio/visual ecstatic visions from experimental sacred audio/visual duo ARIADNE. The cycle is being released as a purely musical work on cassette tape and as an interactive audio/visual web-based experience. Stabat Mater is heavily inspired by the visions of female Christian mystics Hildegard von Bingen and Teresa of Avila. The lyrics for Stabat Mater include adaptations of writings from these mystics fused together with text taken from surrealist poet Aase Berg’s With Deer and Dark Matter (both translated by Johannes Göransson and published by Black Ocean).

DIGITAL / WebGL:
The audio/visual version of the album is implemented as a web-based 3D interactive experience, wherein each of the 20 visions are depicted as an integrated audio/visual experience. The visuals are generative and use real-time audio analysis, physics simulation and user input to determine the animation so that each experience is unique.

BIOGRAPHY:
ARIADNE is an experimental sacred music and new media art duo whose work explores the intersection of mysticism, dream analysis and the failure of digital systems through a synthesis of music performance, digital and interactive art, poetry and dramatic experience. Much of ARIADNE’s output consists of interactive audio/visual performances which employ custom built hardware and software, real-time 3D animation, and machine learning to create immersive and captivating experiences. ARIADNE’s body of work includes feature-length audio/visual albums, web-based virtual reality, and a/v installations.

DIGITAL – audio stream & download
http://ariadne-music.bandcamp.com/alb...
WebGL – interactive audio/visual experience
http://www.ariadnedigital.net/release...
CASSETTE – physical audio relic
http://aurisapothecary.org/shop/ariad...
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Bringing sound and ancestral voices into the world -

Joan La Barbara - As lightning comes, in flashes



David Hykes - Behind all this Going, Going toward Oneself



Hildegard von Bingen - De sancta Maria (Responsorio)




Enjoy
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Music fo the morning - and all my listeners -


Sigur Rós - Ti Ki



The Matthew Herbert Big Band - The Three W's



From their 2003 album: "Goodbye Swingtime".

Arvo Pärt - Arbos




Enjoy
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More musical byways - and always exploring new sounds for you.

Ana Roxanne - Suite pour l’invisible



Bell Orchestre - V: Movement



Olivier Alary & Johannes Malfatti - Elsewhere



Mirry - Anthem



Anthem by Mirry
Video by Camella Kirk
The discovery and musical re-imagining of Mirabel Lomer – an artist’s unheard world which is emerging from the shadows into the light with Tom Fraser and Simon Tong. Curated by Kirsteen McNish.

Tender Central - I'm Here



ENJOY
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Okkyung Lee - Teum (the Silvery Slit)



Okkyung Lee is a South Korean cellist, improviser, and composer. Lee moved to Boston in 1993, where she received a dual bachelor's degree in Contemporary Writing and Production and Film Scoring, and a master's degree in Contemporary Improvisation.

Teum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.


Springing from a decade's deep body of work, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improviser, Okkyung Lee, returns with Yeo-Neun, her first outing with Shelter Press, and arguably her most groundbreaking and unexpected album to date.

A vital, present force in the contemporary global landscape of experimental music, Okkyung Lee is widely regarded for her solo and collaborative improvisations and compositions, weaving a continuously evolving network of sonority and event, notable for its profound depth of instrumental sensitivity, exacting intellect, and visceral emotiveness. Yeo-Neun, recorded by Yeo-Neun Quartet - an experimental chamber music ensemble founded in 2016 and led by Lee on cello, featuring harpist Maeve Gilchrist, pianist Jacob Sacks, and bassist Eivind Opsvik - represents the culmination of one of the longest and most intimate arcs in her remarkable career. A radical departure from much of the experimental language.

Okkyung Lee - Yeo Neun

-

Wired Monk

Dec. 28th, 2020 07:29 pm
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Article from Wire August 2013.

Meredith Monk -  Do You Be



Meredith Monk - Gotham Lullaby



Meredith Monk - Dolmen Music interview



Interview with Meredith Monk filmed in Manhattan, New York City, NY, October 2019
Special Thanks to Kirstin Kapustik

Enjoy
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Back in the early days or Wire - the eighties to nineties, the music of Meredith Monk received a lot of mentions. So, after all these years, I am beginning to appreciate her work more.

So here is one from 1983.

Meredith Monk - Turtle Dreams



Turtle Dreams, produced for WGBH-TV, originally aired September 2, 1983. Shot by Ping Chong. Composed by Meredith Monk, performed by her and her Vocal Ensemble. For more information, visit meredithmonk.org.
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Time for some post-midnight music - as we head towards the Xmas Day morning.


These New Puritans - Fragment 2



Tim Hecker - In The Fog 1



Kendrick Lamar - Institutionalized



Jlin - Carbon 7



ENJOY
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Some music for this winter solstice -

Roger & Brian Eno - Wintergreen



Terje Isungset - Wood in forest (3)




Björk - Solstice



Orlando Gibbons - The woods so wilde



From the Fitzwilliam virginal book, a set of 8 variations on a popular tune.A piece by Orlando Gibbons which confirms his stature as one of the most brilliant keyboard players of his generation. Source: CD Francis Tregian's Collection, Vanguard Classics, Martha Cook, harpsichord.

Blazin’ Fiddles -Lochaber Gathering



ENJOY

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