Oct. 14th, 2018
Paul Auster "Report From The Interior"(Faber and Faber)

This is not your typical memoir.
To start, Auster approaches the telling of his life as though he is reading the story to himself. The use of the second person throughout the whole book loses its charm by the second half of the book, but it's not annoying.
The first part of the book recounts his childhood. There are interesting parts and some cute stories, like the time his teacher accused him of lying about his reading progress and he was so hurt that his honor had been questioned that he erupted in tears. I think I liked this section the best.
The second part of the book recounts a couple of movies that had a deep influence on him. Honestly, this part felt like a glorified movie synopsis. I hadn't seen either of the films, so reading about these films was rather dull. There's some talk about why these movies stood out and were important in his development, but most of it gives a summary of movies I have not seen or do not remember seeing.
The final written part was a section of love letters between a young Auster and Lydia Davis. You see Auster's descent into depression and his eventual rise out of it. I feel like a few of these letters could have been removed since there's only so much I can read about an overly analytical 20-something's long-distance relationship.
The last part was a photo album which I felt didn't really add to the story. Overall, I was disappointed, but the book didn't bore me to tears and wasn't necessarily bad. Not my cup of tea, I guess

This is not your typical memoir.
To start, Auster approaches the telling of his life as though he is reading the story to himself. The use of the second person throughout the whole book loses its charm by the second half of the book, but it's not annoying.
The first part of the book recounts his childhood. There are interesting parts and some cute stories, like the time his teacher accused him of lying about his reading progress and he was so hurt that his honor had been questioned that he erupted in tears. I think I liked this section the best.
The second part of the book recounts a couple of movies that had a deep influence on him. Honestly, this part felt like a glorified movie synopsis. I hadn't seen either of the films, so reading about these films was rather dull. There's some talk about why these movies stood out and were important in his development, but most of it gives a summary of movies I have not seen or do not remember seeing.
The final written part was a section of love letters between a young Auster and Lydia Davis. You see Auster's descent into depression and his eventual rise out of it. I feel like a few of these letters could have been removed since there's only so much I can read about an overly analytical 20-something's long-distance relationship.
The last part was a photo album which I felt didn't really add to the story. Overall, I was disappointed, but the book didn't bore me to tears and wasn't necessarily bad. Not my cup of tea, I guess
He may be a bully and an unhinged twit bot here is something you should know.
"The worst thing about Trump might be the giant web of corruption that’s fueled his power. A bombshell New York Times report has just exposed how his family built an empire off tax dodging and outright fraud -- and it’s just the tip of the iceberg.
Investigations in the UK, Netherlands, and Canada have brought to light other potentially massive scandals involving Trump, his family, or his organizations. But prosecutors aren’t moving, possibly afraid of the furious response from Trump himself. If they did, their findings could fuel the US investigations and give Congress evidence of Trump’s widespread corruption."
"The worst thing about Trump might be the giant web of corruption that’s fueled his power. A bombshell New York Times report has just exposed how his family built an empire off tax dodging and outright fraud -- and it’s just the tip of the iceberg.
Investigations in the UK, Netherlands, and Canada have brought to light other potentially massive scandals involving Trump, his family, or his organizations. But prosecutors aren’t moving, possibly afraid of the furious response from Trump himself. If they did, their findings could fuel the US investigations and give Congress evidence of Trump’s widespread corruption."
Busy Week Ahead
Oct. 14th, 2018 01:14 pmApart from listening to some great folk Cd's this morning I have been sorting out my job for the forthcoming week ahead, It will be a very busy one too!
Monday I will be heading Sussex way to do three shops for PIP - been awhile since I did any shops for them but it includes mobile phone shops in Brighton and a choc shop on the way down.
Tuesday I will most likely be in Westwood Cross for two jewelry shop visits and a charity shop here in my local town.
Wednesday I will be in London doing a charity shop visit, another mobile phone shop visit, two Jap food outlets, and two jewelry shop visits.
Thursday - pub visit in Rainham
Friday - round robin trip on the rails.
Saturday - Maidstone for a couple of charity shop visits.
Nowt Sunday. Phew!
Some might change but Monday and Wednesday are definites!
Monday I will be heading Sussex way to do three shops for PIP - been awhile since I did any shops for them but it includes mobile phone shops in Brighton and a choc shop on the way down.
Tuesday I will most likely be in Westwood Cross for two jewelry shop visits and a charity shop here in my local town.
Wednesday I will be in London doing a charity shop visit, another mobile phone shop visit, two Jap food outlets, and two jewelry shop visits.
Thursday - pub visit in Rainham
Friday - round robin trip on the rails.
Saturday - Maidstone for a couple of charity shop visits.
Nowt Sunday. Phew!
Some might change but Monday and Wednesday are definites!
Poems of The Week
Oct. 14th, 2018 09:27 pmTwo poems by well known poets.
The Song of Wandering Aengus
by W.B Yeats
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands.
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
Gerontion
by T. S. ELIOT
Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.
Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the Jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.
Signs are taken for wonders. ‘We would see a sign!’
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door.
Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.
After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or is still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.
The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use it for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.
Tenants of the house,
Thoughts of a dry brain in a dry season.
The Song of Wandering Aengus
by W.B Yeats
I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.
Though I am old with wandering
Through hollow lands and hilly lands.
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.
Gerontion
by T. S. ELIOT
Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.
Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the Jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.
I an old man,
A dull head among windy spaces.
Signs are taken for wonders. ‘We would see a sign!’
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fräulein von Kulp
Who turned in the hall, one hand on the door.
Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.
After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What’s not believed in, or is still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what’s thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.
The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use it for your closer contact?
These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.
Tenants of the house,
Thoughts of a dry brain in a dry season.