Friday Musical Selection - Mixed Bag
Mar. 17th, 2017 07:33 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
jazzy_daveAnother musical feast -
Species Of Fishes - Crash Recovery
The guys who made this fine piece of electronica ...
Species Of Fishes’ Trip Trap, now regarded as a fine example of 1990s Russian idiosyncratic electronica. The duo, Igor Kolyadnii and Vitaly Stern, also have an album of new music scheduled for late 2017.
Electric Sewer Age - Bad White Corpuscle
Danny Hyde is an experimental musician and remix artist. Hyde has contributed to production and mixing on many Coil albums, including Horse Rotorvator, Love's Secret Domain, The Remote Viewer, Black Antlers, and The New Backwards. Hyde has also worked with Psychic TV and Pop Will Eat Itself. Hyde participated in the creation of many remixes while working with Coil, including several for Nine Inch Nails that were released on Fixed, Closer To God and certified gold release Further Down the Spiral as well as the re-release of quadruple-platinum album The Downward Spiral. His remix of Nine Inch Nails' song "Closer" was featured in the film Seven.
Hyde's solo effort, Aural Rage, features contributions by Coil members John Balance and Peter Christopherson. Following the passing of John Balance and the subsequent end of Coil, Hyde assisted Christopherson with the The Remote Viewer and Black Antlers reissues, Christopherson's solo project The Threshold HouseBoys Choir and the initial work on Throbbing Gristle/X-TG's cover of Nico's Desert shore.
In 2010, Hyde contributed several remixes to Ektoise's Remember Well EP before releasing an EP of his own the next year, Aural Rage's Svay Pak.
2012 saw the release of an EP by Electric Sewer Age, comprising recordings made with Peter Christopherson that were intended for release on Coil's as yet unissued Moon's Milk (In Four Phases) remaster.
Scott Walker - The Childhood of A leader Overture
Ben Frost - Fortitude (Excerpt)
Ben Frost - Blyth
Ulan Bator -Neu Neu
Formed in Paris in 1993 by Amaury Cambuzat on vocals, guitar and keyboards, and bassist Olivier Manchion, Ulan Bator’s sound has been partly determined by their changing line-ups or collaborations – with Faust and Swans’ Michael Gira, among others. Over 20 years their music has taken in kraut-y repetition, post-rock guitar flourishes, kosmische synth work, intimate whispering and pounding drums. Sounds like me in the forest.
Faust - Jennifer
Tosca - Annanas
Heinali - Anthem
From Kyiv, Ukraine, composer and sound designer Oleg Shpudeiko’s music comprises soundtrack work for film, television and dance alongside his albums of processed sound, electroacoustic explorations and navigations of old and glitchy Soviet-era hardware. His 2017 LP Anthem acquires an esoteric otherworldliness through his treatment of its waves of distortion and synths.
Felicia Atkinson - Sea Lions
Félicia Atkinson is a sound and visual artist, born in Paris, France (1981) currently residing in Brussels Her work is a result of her interest in chance and improvisation. Whether it be sound or in her drawings, everything is recorded in one shot and occasionally edited slightly after the improvised session has finished.
Atkinson's music has seen her collaborate with the likes of Sylvain Chauveau, Louisville and Stechandrelax and as an artist, she draws inspiration from landscapes, travel, movies and reading. With a collection of instruments found and borrowed, Atkinson sets about crafting immersive sound collages she summons from the objects of her inspiration.
Atkinson's past discography lists Spekk (Japan) and Kaugummi (France) as outlets for her music and soon, a record inspired by Oregon State is to be released by Home Normal. In the meantime, her solo album 'The Driver' out here on Hibernate is inspired by her four month trip with her boyfriend to the United States last spring/summer.
Unable to drive, Atkinson was driven throughout the trip by her boyfriend. Particularly on the Route 101 from Portland to San Francisco, she became aware of a strong sense of being literally 'driven' by the person that she's in love with through some of the most breathtaking scenery she had ever seen. The sequoia trees, the pacific ocean, sea lions and the ancient rocks that tell tales of the years gone by. Brimming with new-found inspiration from her travels, she set about recording 'the driver' in her attic bedroom back home in Brussels, watching the clouds pass the ceiling window, acknowledging that the wonderful summer trip had gone by.
Ben Frost - Híbakúsja
Enjoy.
Species Of Fishes - Crash Recovery
The guys who made this fine piece of electronica ...
Species Of Fishes’ Trip Trap, now regarded as a fine example of 1990s Russian idiosyncratic electronica. The duo, Igor Kolyadnii and Vitaly Stern, also have an album of new music scheduled for late 2017.
Electric Sewer Age - Bad White Corpuscle
Danny Hyde is an experimental musician and remix artist. Hyde has contributed to production and mixing on many Coil albums, including Horse Rotorvator, Love's Secret Domain, The Remote Viewer, Black Antlers, and The New Backwards. Hyde has also worked with Psychic TV and Pop Will Eat Itself. Hyde participated in the creation of many remixes while working with Coil, including several for Nine Inch Nails that were released on Fixed, Closer To God and certified gold release Further Down the Spiral as well as the re-release of quadruple-platinum album The Downward Spiral. His remix of Nine Inch Nails' song "Closer" was featured in the film Seven.
Hyde's solo effort, Aural Rage, features contributions by Coil members John Balance and Peter Christopherson. Following the passing of John Balance and the subsequent end of Coil, Hyde assisted Christopherson with the The Remote Viewer and Black Antlers reissues, Christopherson's solo project The Threshold HouseBoys Choir and the initial work on Throbbing Gristle/X-TG's cover of Nico's Desert shore.
In 2010, Hyde contributed several remixes to Ektoise's Remember Well EP before releasing an EP of his own the next year, Aural Rage's Svay Pak.
2012 saw the release of an EP by Electric Sewer Age, comprising recordings made with Peter Christopherson that were intended for release on Coil's as yet unissued Moon's Milk (In Four Phases) remaster.
Scott Walker - The Childhood of A leader Overture
Ben Frost - Fortitude (Excerpt)
Ben Frost - Blyth
Ulan Bator -Neu Neu
Formed in Paris in 1993 by Amaury Cambuzat on vocals, guitar and keyboards, and bassist Olivier Manchion, Ulan Bator’s sound has been partly determined by their changing line-ups or collaborations – with Faust and Swans’ Michael Gira, among others. Over 20 years their music has taken in kraut-y repetition, post-rock guitar flourishes, kosmische synth work, intimate whispering and pounding drums. Sounds like me in the forest.
Faust - Jennifer
Tosca - Annanas
Heinali - Anthem
From Kyiv, Ukraine, composer and sound designer Oleg Shpudeiko’s music comprises soundtrack work for film, television and dance alongside his albums of processed sound, electroacoustic explorations and navigations of old and glitchy Soviet-era hardware. His 2017 LP Anthem acquires an esoteric otherworldliness through his treatment of its waves of distortion and synths.
Felicia Atkinson - Sea Lions
Félicia Atkinson is a sound and visual artist, born in Paris, France (1981) currently residing in Brussels Her work is a result of her interest in chance and improvisation. Whether it be sound or in her drawings, everything is recorded in one shot and occasionally edited slightly after the improvised session has finished.
Atkinson's music has seen her collaborate with the likes of Sylvain Chauveau, Louisville and Stechandrelax and as an artist, she draws inspiration from landscapes, travel, movies and reading. With a collection of instruments found and borrowed, Atkinson sets about crafting immersive sound collages she summons from the objects of her inspiration.
Atkinson's past discography lists Spekk (Japan) and Kaugummi (France) as outlets for her music and soon, a record inspired by Oregon State is to be released by Home Normal. In the meantime, her solo album 'The Driver' out here on Hibernate is inspired by her four month trip with her boyfriend to the United States last spring/summer.
Unable to drive, Atkinson was driven throughout the trip by her boyfriend. Particularly on the Route 101 from Portland to San Francisco, she became aware of a strong sense of being literally 'driven' by the person that she's in love with through some of the most breathtaking scenery she had ever seen. The sequoia trees, the pacific ocean, sea lions and the ancient rocks that tell tales of the years gone by. Brimming with new-found inspiration from her travels, she set about recording 'the driver' in her attic bedroom back home in Brussels, watching the clouds pass the ceiling window, acknowledging that the wonderful summer trip had gone by.
Ben Frost - Híbakúsja
Enjoy.
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