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jazzy_daveHouse of Flying Daggers DVD
Set during 829 AD China as the Tang Dynasty is in decline and political unrest is on the rise, one of the most powerful rebel groups is the House of Flying Daggers. Two local military captains, Leo (Andy Lau) and Jin (Takeshi Kaneshiro) are ordered to capture the new leader which brings them to a local brothel where they meet a beautiful and captivating blind dancer, Mei (Zhang Ziyi). What follows is a journey through forests and meadows, with Jin posing as a lone warrior vying to gain Mei’s trust as they set out on their journey to the House’s secret headquarter. The plot thickens the further they go, with love blossoming, danger mounting, and nothing is what it seems.
This film is visually inventive and just all out dazzling, from the exquisite ‘game of echoes’ dance scene to the spectacular fight scenes in the bamboo forest as well as the blizzard battle at the end are breathtaking and a must-see for anyone who appreciates gorgeous cinematography. Apparently the use of colors is Yimou’s signature — kind of like John Woo is with his doves — and scene after scene is drenched with dramatic colors that is nothing short of a visual feast.
Acting-wise, I think it’s decent, though I have nothing to compare it to as I’m not familiar with any of the actor’s work. Zhang Ziyi is believable enough as a blind person, and as a woman torn between two lovers. Kaneshiro and Lau also deliver strong performances and I see now what the fuss is about Kaneshiro, who’s massively popular in Asia. He’s got quite a screen presence and that valiant quality perfect for a heroic leading man role (he’s like the Asian version of Legolas in this movie with his archery skill). The main issue for me though is the overly convoluted plot and as the film reaches its climax, one revelation after another just keeps piling on top of each other that not only it’s hard to keep track, but also throws me out on a loop. Overall though, it’s more of a style-over-substance kind of film but still far more unique than most of the formulaic fares Hollywood’s got to offer. Highly recommend this one.
Set during 829 AD China as the Tang Dynasty is in decline and political unrest is on the rise, one of the most powerful rebel groups is the House of Flying Daggers. Two local military captains, Leo (Andy Lau) and Jin (Takeshi Kaneshiro) are ordered to capture the new leader which brings them to a local brothel where they meet a beautiful and captivating blind dancer, Mei (Zhang Ziyi). What follows is a journey through forests and meadows, with Jin posing as a lone warrior vying to gain Mei’s trust as they set out on their journey to the House’s secret headquarter. The plot thickens the further they go, with love blossoming, danger mounting, and nothing is what it seems.
This film is visually inventive and just all out dazzling, from the exquisite ‘game of echoes’ dance scene to the spectacular fight scenes in the bamboo forest as well as the blizzard battle at the end are breathtaking and a must-see for anyone who appreciates gorgeous cinematography. Apparently the use of colors is Yimou’s signature — kind of like John Woo is with his doves — and scene after scene is drenched with dramatic colors that is nothing short of a visual feast.
Acting-wise, I think it’s decent, though I have nothing to compare it to as I’m not familiar with any of the actor’s work. Zhang Ziyi is believable enough as a blind person, and as a woman torn between two lovers. Kaneshiro and Lau also deliver strong performances and I see now what the fuss is about Kaneshiro, who’s massively popular in Asia. He’s got quite a screen presence and that valiant quality perfect for a heroic leading man role (he’s like the Asian version of Legolas in this movie with his archery skill). The main issue for me though is the overly convoluted plot and as the film reaches its climax, one revelation after another just keeps piling on top of each other that not only it’s hard to keep track, but also throws me out on a loop. Overall though, it’s more of a style-over-substance kind of film but still far more unique than most of the formulaic fares Hollywood’s got to offer. Highly recommend this one.
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