Post Midnight Classical
Oct. 14th, 2017 12:50 amA couple of modern classical music pieces-
James MacMillan - Veni, Veni Emmanuel, Percussion Concerto (1992)
Ulster Orchestra conducted by Takuo Yuasa.
I. Introitus (0:00)
II. Heart Beats / Latidos (2:31)
III. Dance – Transition / Baile – Transición (5:31)
IV. Gaude – Transition (12:35)
V. Dance Chorale / Coral de danza (21:25)
VI. Coda (24:15)
James MacMillan is one of Britain’s foremost contemporary composers, creating eclectic music along avant-garde, minimalist and neo-romantic lines of musical thought. Veni, veni Emmanuel is not a commonplace advent piece; it sets festive music certainly, but in place of a chorus or a soloist to channel his message, MacMillan uses a percussion soloist which is a relative new addition to the concerto genre.
James Dillon ~ Nine Rivers: 4. La femme invisible (1989)
James MacMillan - Veni, Veni Emmanuel, Percussion Concerto (1992)
Ulster Orchestra conducted by Takuo Yuasa.
I. Introitus (0:00)
II. Heart Beats / Latidos (2:31)
III. Dance – Transition / Baile – Transición (5:31)
IV. Gaude – Transition (12:35)
V. Dance Chorale / Coral de danza (21:25)
VI. Coda (24:15)
James MacMillan is one of Britain’s foremost contemporary composers, creating eclectic music along avant-garde, minimalist and neo-romantic lines of musical thought. Veni, veni Emmanuel is not a commonplace advent piece; it sets festive music certainly, but in place of a chorus or a soloist to channel his message, MacMillan uses a percussion soloist which is a relative new addition to the concerto genre.
James Dillon ~ Nine Rivers: 4. La femme invisible (1989)