Jun. 11th, 2020
Book 45 - Liza Picard "Chaucer's People"
Jun. 11th, 2020 08:41 amLiza Picard "Chaucer's People" (Weidenfeld & Nicolson)

Have you ever wished someone would curate a Wikipedia hole on the subject of Medieval English society, just for you? You'd be in luck with Liza Picard's Chaucer's People.
I really liked the book myself, but I loved the organisation and semi-academic, friendly voice Picard used. She sorted the Canterbury Tale pilgrims into social groups based on their occupations/where they live, then used each pilgrim's description and social rank as a jumping off point for some element of English society. Picard tries to provide context for Chaucer's descriptions and doesn't keep strictly to what a person's title meant - a picture may be worth a thousand words, but only where the symbolism and contextual clues are already known. For example, the Wife of Bath, then, leads to discussions of weaving and other forms of cloth production and competition with the Flemish weavers, as well as social implications of her marriages and details about the major pilgrimages she would have undertaken. Each of these subjects is touched on in other chapters as they are relevant, and the same happens for each of the characters.
The way each topic leads into other related topics then shows up again elsewhere reminds me a lot of a Wikipedia dive. It's like following internal links and coming back around, but Picard has already organised the links into a somewhat logical structure and highlights the most relevant or interesting bits of information, particularly as it would relate to the Canterbury Tales - she includes Chaucer himself as a relevant detail wherever it makes sense. Of course, he put himself in the story, and everything in it is from his perspective.
There are a few maps at the beginning, of England and the opposite side of the channel, London, and common pilgrimages. At the back are a few chronologies of historical figures who were particularly relevant to the book, namely John of Gaunt, Chaucer's patron.
Taken as a whole, I feel like this book has given me a better understanding of daily life in Medieval England than just about any other book I've read. Most others I've come across tend to focus on just one part of society or don't do as good a job at showing how all the different strata function together. But of course, this has a narrow focus, too, of London and the nearby counties, and only a little bit abroad, and the glimpses we get of Elsewhere are filtered through what was known to the English. Still, I enjoyed it and feel like I gained a new depth of understanding from it.

Have you ever wished someone would curate a Wikipedia hole on the subject of Medieval English society, just for you? You'd be in luck with Liza Picard's Chaucer's People.
I really liked the book myself, but I loved the organisation and semi-academic, friendly voice Picard used. She sorted the Canterbury Tale pilgrims into social groups based on their occupations/where they live, then used each pilgrim's description and social rank as a jumping off point for some element of English society. Picard tries to provide context for Chaucer's descriptions and doesn't keep strictly to what a person's title meant - a picture may be worth a thousand words, but only where the symbolism and contextual clues are already known. For example, the Wife of Bath, then, leads to discussions of weaving and other forms of cloth production and competition with the Flemish weavers, as well as social implications of her marriages and details about the major pilgrimages she would have undertaken. Each of these subjects is touched on in other chapters as they are relevant, and the same happens for each of the characters.
The way each topic leads into other related topics then shows up again elsewhere reminds me a lot of a Wikipedia dive. It's like following internal links and coming back around, but Picard has already organised the links into a somewhat logical structure and highlights the most relevant or interesting bits of information, particularly as it would relate to the Canterbury Tales - she includes Chaucer himself as a relevant detail wherever it makes sense. Of course, he put himself in the story, and everything in it is from his perspective.
There are a few maps at the beginning, of England and the opposite side of the channel, London, and common pilgrimages. At the back are a few chronologies of historical figures who were particularly relevant to the book, namely John of Gaunt, Chaucer's patron.
Taken as a whole, I feel like this book has given me a better understanding of daily life in Medieval England than just about any other book I've read. Most others I've come across tend to focus on just one part of society or don't do as good a job at showing how all the different strata function together. But of course, this has a narrow focus, too, of London and the nearby counties, and only a little bit abroad, and the glimpses we get of Elsewhere are filtered through what was known to the English. Still, I enjoyed it and feel like I gained a new depth of understanding from it.
Book 45 - Liza Picard "Chaucer's People"
Jun. 11th, 2020 08:48 amLiza Picard "Chaucer's People" (Weidenfeld & Nicolson)

Have you ever wished someone would curate a Wikipedia hole on the subject of Medieval English society, just for you? You'd be in luck with Liza Picard's Chaucer's People.
I really liked the book myself, but I loved the organisation and semi-academic, friendly voice Picard used. She sorted the Canterbury Tale pilgrims into social groups based on their occupations/where they live, then used each pilgrim's description and social rank as a jumping off point for some element of English society. Picard tries to provide context for Chaucer's descriptions and doesn't keep strictly to what a person's title meant - a picture may be worth a thousand words, but only where the symbolism and contextual clues are already known. For example, the Wife of Bath, then, leads to discussions of weaving and other forms of cloth production and competition with the Flemish weavers, as well as social implications of her marriages and details about the major pilgrimages she would have undertaken. Each of these subjects is touched on in other chapters as they are relevant, and the same happens for each of the characters.
The way each topic leads into other related topics then shows up again elsewhere reminds me a lot of a Wikipedia dive. It's like following internal links and coming back around, but Picard has already organised the links into a somewhat logical structure and highlights the most relevant or interesting bits of information, particularly as it would relate to the Canterbury Tales - she includes Chaucer himself as a relevant detail wherever it makes sense. Of course, he put himself in the story, and everything in it is from his perspective.
There are a few maps at the beginning, of England and the opposite side of the channel, London, and common pilgrimages. At the back are a few chronologies of historical figures who were particularly relevant to the book, namely John of Gaunt, Chaucer's patron.
Taken as a whole, I feel like this book has given me a better understanding of daily life in Medieval England than just about any other book I've read. Most others I've come across tend to focus on just one part of society or don't do as good a job at showing how all the different strata function together. But of course, this has a narrow focus, too, of London and the nearby counties, and only a little bit abroad, and the glimpses we get of Elsewhere are filtered through what was known to the English. Still, I enjoyed it and feel like I gained a new depth of understanding from it.

Have you ever wished someone would curate a Wikipedia hole on the subject of Medieval English society, just for you? You'd be in luck with Liza Picard's Chaucer's People.
I really liked the book myself, but I loved the organisation and semi-academic, friendly voice Picard used. She sorted the Canterbury Tale pilgrims into social groups based on their occupations/where they live, then used each pilgrim's description and social rank as a jumping off point for some element of English society. Picard tries to provide context for Chaucer's descriptions and doesn't keep strictly to what a person's title meant - a picture may be worth a thousand words, but only where the symbolism and contextual clues are already known. For example, the Wife of Bath, then, leads to discussions of weaving and other forms of cloth production and competition with the Flemish weavers, as well as social implications of her marriages and details about the major pilgrimages she would have undertaken. Each of these subjects is touched on in other chapters as they are relevant, and the same happens for each of the characters.
The way each topic leads into other related topics then shows up again elsewhere reminds me a lot of a Wikipedia dive. It's like following internal links and coming back around, but Picard has already organised the links into a somewhat logical structure and highlights the most relevant or interesting bits of information, particularly as it would relate to the Canterbury Tales - she includes Chaucer himself as a relevant detail wherever it makes sense. Of course, he put himself in the story, and everything in it is from his perspective.
There are a few maps at the beginning, of England and the opposite side of the channel, London, and common pilgrimages. At the back are a few chronologies of historical figures who were particularly relevant to the book, namely John of Gaunt, Chaucer's patron.
Taken as a whole, I feel like this book has given me a better understanding of daily life in Medieval England than just about any other book I've read. Most others I've come across tend to focus on just one part of society or don't do as good a job at showing how all the different strata function together. But of course, this has a narrow focus, too, of London and the nearby counties, and only a little bit abroad, and the glimpses we get of Elsewhere are filtered through what was known to the English. Still, I enjoyed it and feel like I gained a new depth of understanding from it.
A Rainy Night In New York
Jun. 11th, 2020 03:13 pmI watched a lovely feel-good film recommended by the Guide (from the Guardian newspaper) on free streaming service. If you like Woody Allen films the movie was A Rainy Day In New York (2018). The incidental music is good as well such as this tune -
Chet Baker - Everything Happens to Me
I recommend it.
Chet Baker - Everything Happens to Me
I recommend it.
Wired For Sound #1
Jun. 11th, 2020 10:27 pmMore musical byways from the latest Wire magazine -
Tangerine Dream - Creation
Mutant Joe - Sao Paulo
Phew - Drone
Vertical Jamming
℗ Disciples
Released on: 2020-05-14
Susan Alcorn - The Heart Sutra
Album: The Heart Sutra (Arranged by Janel Leppin) [ALBUM]
Track: 7 of 9
Title: The Heart Sutra
Artist: Susan Alcorn
Label: Ideologic Organ
Cat#: SOMA038
Formats: Digital
Digital Release: 4th May 2020
Enjoy
Tangerine Dream - Creation
Mutant Joe - Sao Paulo
Phew - Drone
Vertical Jamming
℗ Disciples
Released on: 2020-05-14
Susan Alcorn - The Heart Sutra
Album: The Heart Sutra (Arranged by Janel Leppin) [ALBUM]
Track: 7 of 9
Title: The Heart Sutra
Artist: Susan Alcorn
Label: Ideologic Organ
Cat#: SOMA038
Formats: Digital
Digital Release: 4th May 2020
Enjoy
Wired For Sound #2
Jun. 11th, 2020 10:46 pmFor the expanding mind -
Eyvind Kang - Time Medicine
Album: Ajaeng Ajaeng [ALBUM]
Track: 4 of 5
Title: Time Medicine
Artist: Eyvind Kang
Label: Editions Mego
Cat#: SOMA039
Formats: Digital
Digital Release: 4th May 2020
Time Medicine
Yoon Na Geum : So Ajaeng
Han Lim : Dae Ajaeng
Jessika Kenney : Woodblock
Hyeonhee Park : Bass Drum
Ches Smith : Bass Drum
Miguel Frasconi : Glass
Janel Leppin : Cello
Erica Dicker : Violin
Dan Peck : Tuba
Eyvind Kang : Tuba
Recorded by Recorded by Go Geom Jae, SoundGo Studio Seoul, & Marc Urselli, Eastside Sound NYC
Stephen O'Malley - Géante 4
Title: Géante 4 (5 Layer Mix)
Artist: Stephen O'Malley
Label: Ideologic Organ
Cat#: SOMA036
Formats: Digital
Digital Release: 17th April 2020
Phurpa - 02.3
Album: Hymns of Gyer [ALBUM]
Track: 4 of 4
Title: 02.3
Artist: Phurpa
Label: Ideologic Organ
Cat#: SOMA037
Formats: Digital
Digital Release: 17th April 2020
the recording was made during an acoustic session
dedicated to the space of primordial being [mu-ye]
alexey tegin
daniil zotov
nikita korolev
voices and 2 singing bowls.
Enjoy,
Eyvind Kang - Time Medicine
Album: Ajaeng Ajaeng [ALBUM]
Track: 4 of 5
Title: Time Medicine
Artist: Eyvind Kang
Label: Editions Mego
Cat#: SOMA039
Formats: Digital
Digital Release: 4th May 2020
Time Medicine
Yoon Na Geum : So Ajaeng
Han Lim : Dae Ajaeng
Jessika Kenney : Woodblock
Hyeonhee Park : Bass Drum
Ches Smith : Bass Drum
Miguel Frasconi : Glass
Janel Leppin : Cello
Erica Dicker : Violin
Dan Peck : Tuba
Eyvind Kang : Tuba
Recorded by Recorded by Go Geom Jae, SoundGo Studio Seoul, & Marc Urselli, Eastside Sound NYC
Stephen O'Malley - Géante 4
Title: Géante 4 (5 Layer Mix)
Artist: Stephen O'Malley
Label: Ideologic Organ
Cat#: SOMA036
Formats: Digital
Digital Release: 17th April 2020
Phurpa - 02.3
Album: Hymns of Gyer [ALBUM]
Track: 4 of 4
Title: 02.3
Artist: Phurpa
Label: Ideologic Organ
Cat#: SOMA037
Formats: Digital
Digital Release: 17th April 2020
the recording was made during an acoustic session
dedicated to the space of primordial being [mu-ye]
alexey tegin
daniil zotov
nikita korolev
voices and 2 singing bowls.
Enjoy,
Wired Jazz
Jun. 11th, 2020 11:25 pmSome jazz and improv now -
Article XI - 'Always A Fox' - Live in Newcastle
'Always a Fox' - live at The Bridge Hotel, Newcastle for Jazz North East on 10th December 2017.
Anton Hunter - guitar
Oliver Dover - alto saxophone
Sam Andreae - alto saxophone
Simon Prince - tenor saxophone & flute
Graham South - trumpet
Nick Walters - trumpet
[front row, L-R]
Johnny Hunter - drums
Seth Bennett - double bass
Cath Roberts - baritone saxophone
Tullis Rennie - trombone
Kieran McLeod - trombone
[back row, L-R]
Jim Black Trio - Astrono Said So
Taupe - Not Blue Light
Vibration Black Finger - Song for Enid
Enjoy
Article XI - 'Always A Fox' - Live in Newcastle
'Always a Fox' - live at The Bridge Hotel, Newcastle for Jazz North East on 10th December 2017.
Anton Hunter - guitar
Oliver Dover - alto saxophone
Sam Andreae - alto saxophone
Simon Prince - tenor saxophone & flute
Graham South - trumpet
Nick Walters - trumpet
[front row, L-R]
Johnny Hunter - drums
Seth Bennett - double bass
Cath Roberts - baritone saxophone
Tullis Rennie - trombone
Kieran McLeod - trombone
[back row, L-R]
Jim Black Trio - Astrono Said So
Taupe - Not Blue Light
Vibration Black Finger - Song for Enid
Enjoy