Jan. 23rd, 2021
Jazzy's Classical Side
Jan. 23rd, 2021 10:33 amYes, my musical excursions abound - selected from my CDs.
Claude Debussy - 2 Arabesques for piano
The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.
Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music, he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. Of the arabesque in baroque music, he wrote:
“That was the age of the ‘wonderful arabesque' when music was subject to the laws of beauty inscribed in the movements of Nature herself.”
Roger Smalley - Pulses: Moments Nos. 6-10
Conductor: Richard Bernas
Ensemble: BBC Symphony Orchestra
Composer: Roger Smalley
Giles Swayne - Cry Op. 27: III. Sea - Dry Land - Vegetation
ENJOY
Claude Debussy - 2 Arabesques for piano
The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.
Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music, he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. Of the arabesque in baroque music, he wrote:
“That was the age of the ‘wonderful arabesque' when music was subject to the laws of beauty inscribed in the movements of Nature herself.”
Roger Smalley - Pulses: Moments Nos. 6-10
Conductor: Richard Bernas
Ensemble: BBC Symphony Orchestra
Composer: Roger Smalley
Giles Swayne - Cry Op. 27: III. Sea - Dry Land - Vegetation
ENJOY
The other day somebody had left out in the collection "take f0r free" spot near our main entrance of this complex one of these paint by number kits with acrylic paint and one piece of canvas and a paintbrush. So I nabbed it, decided to skip the paint by shit and do my own abstract expressionism. I call it a Modal Explosion.

Influenced by jazz and the frustration of the lockdown it represents a spinning out of control explosion of desire to be free.

Influenced by jazz and the frustration of the lockdown it represents a spinning out of control explosion of desire to be free.

