Jan. 23rd, 2021

jazzy_dave: (Default)
Time for music methinks -

William Parker Quartet - Sun




Divide And Dissolve - Abomination




Wu-Lu - Harlem Jazz




ENJOY
jazzy_dave: (Default)
More for the night groovers

Prince - Thunder



Judee Sill - The Vigilante



Letta Mbulu - Pula Yetla



Susan Alcorn - Soledad (Astor Piazzolla)



ENJOY
jazzy_dave: (Default)
and finally - headphones suggested -

Hildegard Westerkamp - Kits Beach Soundwalk (1989



Katherine Norman - London: No. 1. In her own time



Enjoy
jazzy_dave: (Default)
Another mixed bag -


Ron Geesin - Frenzy



Michael Chapman - Rainmaker




Françoise Hardy - Le Premier Bonheur du Jour



Senyawa - Istana



ENJOY
jazzy_dave: (Default)
Yes, my musical excursions abound - selected from my CDs.


Claude Debussy - 2 Arabesques for piano



The Two Arabesques (Deux arabesques), L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891.
Although quite an early work, the arabesques contain hints of Debussy's developing musical style. The suite is one of the very early impressionistic pieces of music, following the French visual art form. Debussy seems to wander through modes and keys and achieves evocative scenes through music. His view of a musical arabesque was a line curved in accordance with nature, and with his music, he mirrored the celebrations of shapes in nature made by the Art Nouveau artists of the time. Of the arabesque in baroque music, he wrote:
“That was the age of the ‘wonderful arabesque' when music was subject to the laws of beauty inscribed in the movements of Nature herself.”


Roger Smalley - Pulses: Moments Nos. 6-10



Conductor: Richard Bernas
Ensemble: BBC Symphony Orchestra
Composer: Roger Smalley

Giles Swayne - Cry Op. 27: III. Sea - Dry Land - Vegetation






ENJOY

Modal

Jan. 23rd, 2021 03:21 pm
jazzy_dave: (Default)
The other day somebody had left out in the collection "take f0r free" spot near our main entrance of this complex one of these paint by number kits with acrylic paint and one piece of canvas and a paintbrush. So I nabbed it, decided to skip the paint by shit and do my own abstract expressionism. I call it a Modal Explosion.



Influenced by jazz and the frustration of the lockdown it represents a spinning out of control explosion of desire to be free.

Profile

jazzy_dave: (Default)
jazzy_dave

January 2026

S M T W T F S
    1 23
4 5678910
11121314151617
18192021222324
25262728293031

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jan. 8th, 2026 10:14 am
Powered by Dreamwidth Studios