Friday Musical Selection - Mixed Bag
May. 13th, 2016 10:45 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Music time again and again all music discoverer over many years reading Wire Magazine from 1990 till now.
Laurie Anderson The Ugly One With the Jewels
Current 93 - All The Stars Are Dead Now
Carl Stalling Project - Music from: Speedy Gonzales (1955) and Two Crows From Tacos (1956).
Daphne Oram - Episode Metallic
Delia Derbyshire / White Sound - Love Without Sound (1969)
Delia Derbyshire is well known for her work with the BBC Radiophonic Workshop and her help in creating the Dr.Who theme. Of all the BBC Radiophonic musicians I've heard I always found Delia's music to be more aesthetically mature than that of the others. While many were content to create mathematically structured enharmonic noise she looked for the ghost in the machine, creating haunting, off kilter and often sexually charged music. This track is from the 1969 The White Noise - Electric Storm LP. To me it sounds 30 years ahead of it's time. I hope you like it.
Louis & Bebe Baron - Love at the Swimming Hole
John Zorn - Pueblo
Einstürzende Neubauten - Kollaps
Tom Recchion - A Complex Shape In The Sky
Morton Subotnick - Silver apples of the Moon (1967
Silver Apples - Gypsy Love
The group grew out of a traditional rock band called The Overland Stage Electric Band, working regularly in the East Village. Simeon was the singer, but began to incorporate a 1940s vintage audio oscillator into the show, which alienated the other band members to the extent that the group was eventually reduced to the duo of Simeon and Taylor, at which point they renamed themselves The Silver Apples, after the William Butler Yeats poem The Song of the Wandering Aengus. The arsenal of oscillators eventually grew, according to their first LP liner notes, to include "nine audio oscillators piled on top of each other and eighty-six manual controls to control lead, rhythm and bass pulses with hands, feet and elbows". Simeon devised a system of telegraph keys and pedals to control tonality and chord changes, and reportedly never learned to play traditional piano-styled keyboards or synthesizers.[2]
They were signed to Kapp Records and released their first record, Silver Apples, in 1968, and from that released a single, "Oscillations," a song that Simeon has cited as the first song he'd ever written. On the debut album, seven of the nine songs had lyrics by Stanley Warren (not Warren Stanley as incorrectly credited on the re-release of the 1997 MCA CD), including the group's signature song, "Oscillations." Warren, who subsequently became a published poet, met Simeon and Taylor at the Third Annual Avant Garde Arts Festival in 1968 in New York City, organized by Charlotte Moorman, who was famous as the "topless cellist". Soon after, Simeon became acquainted with Warren's early work, and set a poem, "MJ", to music as "Seagreen Serenades." Inspired by Simeon's interest, in the next few months Warren wrote the remaining six songs used on the "Silver Apples" album. Another song, "Gypsy Love," was used in the second album, "Contact." In recent performances, Simeon still plays some of his and Warren's works from the early days of Silver Apples.
The following year, they released their second LP, Contact and toured the United States. A third album was recorded in 1970, but Kapp was folded into MCA Records, leaving the album unreleased, and the group defunct.
Television - Marquee Moon
Greatest punk record ever!
Enjoy.
Laurie Anderson The Ugly One With the Jewels
Current 93 - All The Stars Are Dead Now
Carl Stalling Project - Music from: Speedy Gonzales (1955) and Two Crows From Tacos (1956).
Daphne Oram - Episode Metallic
Delia Derbyshire / White Sound - Love Without Sound (1969)
Delia Derbyshire is well known for her work with the BBC Radiophonic Workshop and her help in creating the Dr.Who theme. Of all the BBC Radiophonic musicians I've heard I always found Delia's music to be more aesthetically mature than that of the others. While many were content to create mathematically structured enharmonic noise she looked for the ghost in the machine, creating haunting, off kilter and often sexually charged music. This track is from the 1969 The White Noise - Electric Storm LP. To me it sounds 30 years ahead of it's time. I hope you like it.
Louis & Bebe Baron - Love at the Swimming Hole
John Zorn - Pueblo
Einstürzende Neubauten - Kollaps
Tom Recchion - A Complex Shape In The Sky
Morton Subotnick - Silver apples of the Moon (1967
Silver Apples - Gypsy Love
The group grew out of a traditional rock band called The Overland Stage Electric Band, working regularly in the East Village. Simeon was the singer, but began to incorporate a 1940s vintage audio oscillator into the show, which alienated the other band members to the extent that the group was eventually reduced to the duo of Simeon and Taylor, at which point they renamed themselves The Silver Apples, after the William Butler Yeats poem The Song of the Wandering Aengus. The arsenal of oscillators eventually grew, according to their first LP liner notes, to include "nine audio oscillators piled on top of each other and eighty-six manual controls to control lead, rhythm and bass pulses with hands, feet and elbows". Simeon devised a system of telegraph keys and pedals to control tonality and chord changes, and reportedly never learned to play traditional piano-styled keyboards or synthesizers.[2]
They were signed to Kapp Records and released their first record, Silver Apples, in 1968, and from that released a single, "Oscillations," a song that Simeon has cited as the first song he'd ever written. On the debut album, seven of the nine songs had lyrics by Stanley Warren (not Warren Stanley as incorrectly credited on the re-release of the 1997 MCA CD), including the group's signature song, "Oscillations." Warren, who subsequently became a published poet, met Simeon and Taylor at the Third Annual Avant Garde Arts Festival in 1968 in New York City, organized by Charlotte Moorman, who was famous as the "topless cellist". Soon after, Simeon became acquainted with Warren's early work, and set a poem, "MJ", to music as "Seagreen Serenades." Inspired by Simeon's interest, in the next few months Warren wrote the remaining six songs used on the "Silver Apples" album. Another song, "Gypsy Love," was used in the second album, "Contact." In recent performances, Simeon still plays some of his and Warren's works from the early days of Silver Apples.
The following year, they released their second LP, Contact and toured the United States. A third album was recorded in 1970, but Kapp was folded into MCA Records, leaving the album unreleased, and the group defunct.
Television - Marquee Moon
Greatest punk record ever!
Enjoy.
no subject
Date: 2016-05-14 12:35 am (UTC)no subject
Date: 2016-05-14 01:12 am (UTC)The voice on Delia Derbyshire track almost sounds like Weird Al Yankovic. lol......
Louis & Bebe Baron - Love at the Swimming Hole sounds like it comes from a 50s Sci Fi movie. :)
Hugs, Jon
no subject
Date: 2016-05-14 01:33 am (UTC)no subject
Date: 2016-05-14 01:45 am (UTC)no subject
Date: 2016-05-14 02:22 am (UTC)but who is daphne oram channeling?
cosmic!
i like love at the swimming hole, it feels like one of those retro sci-fi b-movies..
; )
no subject
Date: 2016-05-14 02:22 pm (UTC)http://www.bbc.com/news/entertainment-arts-36272555