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Richie Tankersley Cusick "The Harvest : (Buffy the Vampire Slayer)" (Simon Spotlight Entertainment)






The Harvest is the novelization of the first two episodes of the TV series Buffy the Vampire Slayer (episodes by the same name, for that matter). As novelizations go, it's really not bad. Cusick manages to adapt the script into something very readable whilst also incorporating some of the charm and originality that the actors brought to the show.

Also, as media novelizations go, the writing -- while again, not bad -- seems to target a younger reading audience. In my opinion, it was at level with tween-ish YA. Content wise, Buffy the Vampire Slayer had not yet reached the maturity level that it would in later seasons, and the edgiest things in The Harvest are standard action-movie violence and mild references to sexuality.

This introduction into the Buffy the Vampire Slayer universe (following the events of the 1992 movie flop) follows slayer Buffy Summers as she transitions into a new life and new highschool in Sunnydale, CA after being kicked out of her old highschool for events that those familiar with the movie will recognize. She thinks she can finally have a normal life, but her slaying duties reappear almost immediately -- along with a new watcher (a person meant to help train and guide the slayer as she battles evil creatures) and a new group of surprisingly resilient friends. Her first challenge in this new town -- which has more than its fair share of vampires and other nasties -- is to prevent "the harvest" -- the ascension of a particularly gruesome vampire from the church he has been trapped in underground for many decades -- and the evil that follows it. Many new allies are created -- including some that will become popular additions to the character lineup very shortly -- and the theme and style of the series is laid out.

The action is carried along smoothly with very little added to what is cut-and-dry from the script I imagine. Cusick attempts to add some internal monologue for some of the more major characters, but in most cases it falls kind of flat. One of the challenges of adapting media is obviously making it recognisable but not so true-to-form that the reader would be better off just reading the script. Cusick manages to get a good, steady rhythm going and sustains it throughout the entire novel and with a little more adventurousness I think this could've actually been a very good book. As it stands, it is passable and enjoyable for Buffy fans but not likely to lure any new folks in.

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