Thursday Music Selection - All Sorts
Jul. 20th, 2017 10:23 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Time for some more music -
The Cinematic Orchestra - To Build a Home
Antony And The Johnsons - Cripple And The Starfish
I still love this great tine -
A Tribe Called Quest - Luck Of Lucien
A Tribe Called Quest - Youthful Expression
Thomas Tallis - Spem In Alium
- 'Spem in alium', a 40 forty-part motet by Elizabethan composer Thomas Tallis (c.1505 -- 1585) was composed and first performed at Nonsuch Palace England in c.1570. It is sung here by the Tallis Scholars conducted by Peter Phillips. The work is designed to be sung by eight choirs of five voices each (soprano, alto, tenor, baritone and bass) standing in a horseshoe shape in order to accentuate the antiphonal effects of the work.
Philip Glass - Symphony No. 4 'Heroes' part 1 - Heroes
Philip Glass - Einstein On The Beach - "Knee Play 1"
Einstein on the Beach breaks all of the rules of conventional opera. Instead of a traditional orchestral arrangement, Glass chose to compose the work for the synthesizers, woodwinds and voices of the Philip Glass Ensemble. Non-narrative in form, the work uses a series of powerful recurrent images as its main storytelling device shown in juxtaposition with abstract dance sequences created by American choreographer Lucinda Childs. It is structured in four interconnected acts and divided by a series of short scenes or "knee plays." Taking place over five hours, there are no traditional intermissions. Instead, the audience is invited to wander in and out at liberty during the performance.
Einstein on the Beach was revolutionary when first performed and is now considered one of the most remarkable performance works of our time. The New York Times art critic and producer John Rockwell has said of seeing Einstein on the Beach for the first time: "Einstein was like nothing I had ever encountered. For me, its very elusiveness radiated richly, like some dark star whose effects we can only feel. The synergy of words and music seemed ideal." He continues, "Einstein on the Beach, perhaps, like Einstein himself, transcended time. It's not (just) an artifact of its era, it's timeless ... Einstein must be seen and re-seen, encountered and savoured ... an experience to cherish for a lifetime."
Can - Tony Wanna Go
From "Peel Sessions" album.
Enjoy.
The Cinematic Orchestra - To Build a Home
Antony And The Johnsons - Cripple And The Starfish
I still love this great tine -
A Tribe Called Quest - Luck Of Lucien
A Tribe Called Quest - Youthful Expression
Thomas Tallis - Spem In Alium
- 'Spem in alium', a 40 forty-part motet by Elizabethan composer Thomas Tallis (c.1505 -- 1585) was composed and first performed at Nonsuch Palace England in c.1570. It is sung here by the Tallis Scholars conducted by Peter Phillips. The work is designed to be sung by eight choirs of five voices each (soprano, alto, tenor, baritone and bass) standing in a horseshoe shape in order to accentuate the antiphonal effects of the work.
Philip Glass - Symphony No. 4 'Heroes' part 1 - Heroes
Philip Glass - Einstein On The Beach - "Knee Play 1"
Einstein on the Beach breaks all of the rules of conventional opera. Instead of a traditional orchestral arrangement, Glass chose to compose the work for the synthesizers, woodwinds and voices of the Philip Glass Ensemble. Non-narrative in form, the work uses a series of powerful recurrent images as its main storytelling device shown in juxtaposition with abstract dance sequences created by American choreographer Lucinda Childs. It is structured in four interconnected acts and divided by a series of short scenes or "knee plays." Taking place over five hours, there are no traditional intermissions. Instead, the audience is invited to wander in and out at liberty during the performance.
Einstein on the Beach was revolutionary when first performed and is now considered one of the most remarkable performance works of our time. The New York Times art critic and producer John Rockwell has said of seeing Einstein on the Beach for the first time: "Einstein was like nothing I had ever encountered. For me, its very elusiveness radiated richly, like some dark star whose effects we can only feel. The synergy of words and music seemed ideal." He continues, "Einstein on the Beach, perhaps, like Einstein himself, transcended time. It's not (just) an artifact of its era, it's timeless ... Einstein must be seen and re-seen, encountered and savoured ... an experience to cherish for a lifetime."
Can - Tony Wanna Go
From "Peel Sessions" album.
Enjoy.