Soundtrack Music 3 - More Cool Grooves!

[jazzy_dave]

Continuing with more cool soundtracks - more of my fave soundtrack recordings.


Ryuichi Sakamoto - Merry Christmas Mr. Lawrence

Toru Takemitsi _ Woman In The Dunes

Vabgelis - Rachel's Theme

Goblin - Suspiria Theme

Ennio Morricone - The Thing (Theme)

John Carpemter - Assault On Precinct 13

Philip Glass - Mishima "ClosingTheme"

Michael Nyman - Music FromThe Draughtman's Contract

Michael Nyman
Music from The Draughtman’s Contract (1982)
Chasing sheep is best left to shepherds* 00:00
The garden is becoming a robe room** 05:06
An eye for optical theory*** 11:15
Michael Nyman, piano and director
Michael Nyman Band

My music for The Draughtman’s Contract neatly draws together some musicological loose-ends of 1967 with some not-so-loose compositional ends (and means) of 1982. The setting of the film -England c.1695- suggested the use of (then) contemporary music, and immediately that of Henry Purcell not merely because he died in 1695 but because he was a better composer than anyone else in England at that time (and more or less ever since).
[…] One of the delights of working with Peter Greenaway is the possibilities it gives me of providing a ‘service’ and working precisely the same way I do when writing my ‘concert music’; but without The Draughtman’s Contract there would have been no opportunity to return, gratefully, to the music of my past, that of Henry Purcell.
Michael Nyman

Nyman's music is highly charged and persistently pushes the musicians to virtually impossible limits of technique which they respond to with rare dedication, offering original, imaginative solutions. But the mood, particularly in 'Chasing sheep is best left to shepherds', 'An eye for optical theory', is one of unutterable enjoyment and exuberant fun (a quality rare in contemporary music). By contrast, 'The garden is becoming a robe room' reveals a poignant, pleading, throbbing character where Nyman uses his musicians to paint dark, despairing colours, sometimes admitting a 'rude', maybe ironic baritone saxophone entry, but plumbing considerable depths of sorrow and anguish.
Annette Morreau



Enjoy.