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Hermann Broch "The Unknown Quantity" (Marlboro Press)


The Unknown Quantity by Hermann Broch


In his protagonist, Richard Hieck, Broch has presented us with a man influenced by the unsettling theories of their time (relativity and the quantum universe) and his search for meaning within the maddening cacophony of ideas, in which Broch presents us with an intriguing resolution to the problems of disorder. Hieck is a mathematician, an astronomer, a scientist - he is a lonely man who pursues knowledge down all of its blind alleys and dead ends purely for the sake of the pursuit, certain that there is no end, no ultimate goal. All of his relationships with the world are kept at an uneasy distance; from his half-demented mentor Doctor Weitprecht, his saintly younger sister Susanne (whose own response to the chaos of her times is to become a true "Bride of Christ"), his bohemian artist brother Otto - all are as equally inscrutable to Richard as are the millions of stars which pattern the night sky. And throughout his quest he remains haunted by the memory of his father, himself a scientist who succumbed to the madness of the universe; it would seem that Richard is doomed to an obscure life and unrepented death. Can he be saved?

Broch suggests that the missing element in the equation of Richard Hieck's life is simply love: "an awkward kiss released from all willing, released from Being, up borne by a wave of darkness." p.132 When Hieck accepts that there are no answers to be discerned from the infinity of stars above, when he allows himself to recognize the beauty that is next to him in the person of the devoted Ilse Nydhalm, when he understands that he cannot make himself desireless - only then is Richard Hieck saved from the world of pure knowledge. "[In the loneliness of the heart everything is absolute, in the heart there are no statistically approximate values, there the law is valid, and that is all that there is to say." p.176 . The Unknown Quantity is elusive for Richard, but it is also his salvation.

I recommend this novel as a fine introduction to Hermann Broch, who is at his most accessible in this, his fourth work (published in 1933). It presents many of the same themes which dominate Broch's works, from his "Sleepwalkers" trilogy down to "The Guiltless." A challenging writer and a satisfying read.

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