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Guy De Maupassant "Bel Ami" (Penguin)





Georges Duroy wants more from life than just his dreary job and constant lack of funds. While moping around Paris, he happens upon a friend and former soldier who convinces him to try writing, setting him up at his paper , the Vie Française , where he's tasked with writing an article about his experiences in Africa during the war. However, writers block sets in and Duroy begs for help from his friend to get the article started. His friend introduces him to his wife Madeleine, a smart and attractive woman, who at once draws the story from Duroy and gets him to write it down. Sh also takes an interest in him and invites him to a salon where she introduces him to the high society ladies of Paris. Duroy uses his good looks and charm to worm his way into the lives of the women, devising a plan to gain respectability and wealth at the cost of their hearts.

"Bel Ami" presents a vivid look at 19th century Paris, from the corruption of politics and the influence of the press to the salons of society matrons, all told through the eyes of Georges Duroy. He's unscrupulous and conniving, always scheming to find a better life, to earn more money no matter the cost. He uses women as if they were chess pieces, inching him closer and closer to his goal, and discarding them when they're no longer of use. You can't help not liking him, but that's what makes the story such a good read: you want to see to what lengths he will go for his ideal of fortune and fame. It's definitely a book worth reading
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Friedrich Nietzsche "The Genealogy Of Morals" (Dover Publications)




Of all the books by or about Nietzsche, I think this particular edition of the Genealogy would be the best place for the novice to start. The introduction by Clark (a very well regraded Nietzsche scholar) is excellent and provides a workable framework for interpreting a text (and an author) that can often be difficult to decipher.

The scholarly apparatus is exhaustive; the editors provide end notes that cover nearly every page in the original text and help the reader to make sense of Nietzsche's sometimes unclear allusions and provide voluminous biographic and bibliographic detail covering both Nietzsche and the interlocutors he mentions in the text (as well as a few he merely alludes to).

As for the text itself, I think it is notable primarily for the genealogical analysis of the concepts of good/right-bad/wrong and for a glimpse of Nietzsche's "perspectivalist" epistemology in the third section.

These views have been highly influential (although not among philosophers as such) over the past century and anyone that wishes to understand the course and trajectory of 20th century thought should be aware of them. Nietzsche is a master stylist, so the reading is fun as well as thought provoking.

Of course, the central question, considering Nietzsche qua philosopher, is this: Does Nietzsche get things right?

I think it's pretty clear that the answer is "no". Although his castigation of scientific atheism as an extension (perhaps the highest extension) of religious asceticism shows depth and brilliance, he doesn't ever give us any solid arguments for thinking that truth itself hinges on particular standards of evaluation. Nietzsche seems to me to be skeptical of the idea of truth as correspondence (the standard view) because it situates truth outside of life. It makes truth something that transcends individual human beings. Perhaps this is true, much like Kant's assertion of the categorical imperative, and given Nietzsche's rejection of any and all transcendent things it makes sense that he'd want to reject truth conceived of in this way. What isn't clear is that he can do this, that is, that his view is warranted. The fact that the correspondence of theory of truth has implications that Nietzsche finds repulsive is no reason for thinking that it's false.

Furthermore, without some notion of truth as correspondence, it's not clear that his earlier critique of moral concepts has any real bite. And here lies the problem, because his text is so allusive it is difficult to ascertain where he really stands in relation to those before him such as Kant or Hegel but in a way his rambling prose heads the way to existentialists such as Sartre.

In the end, i enjoyed this book of three essays, and as an introduction to his ideas it is probably a good place to start for he uninitiated.

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Jeanette Winterson "Weight" (Canongate)






Interesting interpretation of the myth of Atlas and Hercules. While Atlas is portrayed as a somewhat melancholic, depressed character, Hercules is a flamboyant macho. This was a surprising read that often made me smile but also made me think about the myth and its meaning.

I loved the ending, and Atlas taking the Russian astronaut dog, Laika, in as a pet. I found I couldn't enjoy the Heracles parts of the story, though. Like her character Babel Dark in "Lighthousekeeping" which i read some years back, Heracles is a misogynistic and thoroughly unlikable "hero.

However quite refreshing.

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