Sunday Experimental Music Selection #2
Feb. 7th, 2021 10:29 pmMore bleeps and noises -
John Cage - Williams Mix (1952/1953)
This is a work for eight tracks of ¼ inch magnetic tape. The score is a pattern for the cutting and splicing of the sounds recorded on the tape.
The rhythmic structure is 5-6-16-3-11-5.
The sounds are in 6 categories: A (city sounds), B (country sounds), C (electronic sounds), D (manually produced sounds), E (wind produced sounds) and F ("small" sounds, which need to be ampified). Pitch, timbre and loudness are notated as well.
Approximately 600 recordings are necessary to make a version of the piece.
The compositional means were I Ching chance operations.
Cage made a realization of the work in 1952/53 (starting in May 1952) with the assistance of Earle Brown, Louis and Bebe Barron, David Tudor, Ben Johnston and others, but it also possible to create other versions, using the score.
Iannis Xenakis - Concret PH
Concret PH, the title being a reference to the architectural design and construction material, is a crackling two minutes of pointillistic sounds. Xenakis recorded the sound of burning charcoal, then layered and transposed the recordings to create evolving densities and ranges of snaps, crackles, and pops. This piece, along with Varèse's Poème électronique, remains a classic of the electroacoustic genre.
ENJOY
John Cage - Williams Mix (1952/1953)
This is a work for eight tracks of ¼ inch magnetic tape. The score is a pattern for the cutting and splicing of the sounds recorded on the tape.
The rhythmic structure is 5-6-16-3-11-5.
The sounds are in 6 categories: A (city sounds), B (country sounds), C (electronic sounds), D (manually produced sounds), E (wind produced sounds) and F ("small" sounds, which need to be ampified). Pitch, timbre and loudness are notated as well.
Approximately 600 recordings are necessary to make a version of the piece.
The compositional means were I Ching chance operations.
Cage made a realization of the work in 1952/53 (starting in May 1952) with the assistance of Earle Brown, Louis and Bebe Barron, David Tudor, Ben Johnston and others, but it also possible to create other versions, using the score.
Iannis Xenakis - Concret PH
Concret PH, the title being a reference to the architectural design and construction material, is a crackling two minutes of pointillistic sounds. Xenakis recorded the sound of burning charcoal, then layered and transposed the recordings to create evolving densities and ranges of snaps, crackles, and pops. This piece, along with Varèse's Poème électronique, remains a classic of the electroacoustic genre.
ENJOY