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Slow Music
Mar. 3rd, 2021 11:22 pmApart from this morning, it has been a slow day so here is some slow music -
Lol Coxhill & Morgan Fisher – Slow Music (1980) FULL ALBUM
00:00 A1. Que En Paz Descanse
10:06 A2. Flotsam
11:42 A3. Vase
19:55 A4. Jetsam
21:22 A5. Matt Finish
29:30 B1. Slow Music
53:30 B2. Pretty Little Girl
Guitar, Bass, Piano, Voice, Tape Manipulation – Morgan Fisher
Soprano Saxophone, Voice – Lol Coxhill
Lol Coxhill and Morgan Fisher are two musicians whom you wouldn’t think had crossed paths before. Coxhill’s resume consists of an early stint with Kevin Ayers and Mike Oldfield in The Whole World before moving onto a series of free jazz and experimental recordings and live performances. Morgan Fisher’s background is even more varied having started the 70s with his own symphonic progressive band, then moving on filling the keyboard slot in Mott the Hoople and eventually releasing a few odd solo albums (including a passive album of John Lennon songs). My rationale for re-releasing this hidden pearl is that the pieces stand-alone as individual compositions within a minimal approach which is both textural and environmental. The opening track, "Que en Paz Descanse," can be viewed almost as a ten-minute funeral dirge, substituting loops and sax for Scottish bagpipes (but in tune). The album’s other key pieces can be described as follows: “Flotsam,” “Jetsam,” and “Pretty Little Girl” are the relief pieces, which offer a dramatic contrast to the larger-scale pieces. “Vase” and “Matt Finish” are endeavours predicated on decaying notes and thus generate a tone of Philip Glass-like cyclic repetition, the latter piece being the lusher of the two. The album’s title track is a 24-minute loop, which in part is based on “Pretty Little Girl,” but with a looser structure that hints at Cluster and Eno and their collaborations.
ENJOY
Lol Coxhill & Morgan Fisher – Slow Music (1980) FULL ALBUM
00:00 A1. Que En Paz Descanse
10:06 A2. Flotsam
11:42 A3. Vase
19:55 A4. Jetsam
21:22 A5. Matt Finish
29:30 B1. Slow Music
53:30 B2. Pretty Little Girl
Guitar, Bass, Piano, Voice, Tape Manipulation – Morgan Fisher
Soprano Saxophone, Voice – Lol Coxhill
Lol Coxhill and Morgan Fisher are two musicians whom you wouldn’t think had crossed paths before. Coxhill’s resume consists of an early stint with Kevin Ayers and Mike Oldfield in The Whole World before moving onto a series of free jazz and experimental recordings and live performances. Morgan Fisher’s background is even more varied having started the 70s with his own symphonic progressive band, then moving on filling the keyboard slot in Mott the Hoople and eventually releasing a few odd solo albums (including a passive album of John Lennon songs). My rationale for re-releasing this hidden pearl is that the pieces stand-alone as individual compositions within a minimal approach which is both textural and environmental. The opening track, "Que en Paz Descanse," can be viewed almost as a ten-minute funeral dirge, substituting loops and sax for Scottish bagpipes (but in tune). The album’s other key pieces can be described as follows: “Flotsam,” “Jetsam,” and “Pretty Little Girl” are the relief pieces, which offer a dramatic contrast to the larger-scale pieces. “Vase” and “Matt Finish” are endeavours predicated on decaying notes and thus generate a tone of Philip Glass-like cyclic repetition, the latter piece being the lusher of the two. The album’s title track is a 24-minute loop, which in part is based on “Pretty Little Girl,” but with a looser structure that hints at Cluster and Eno and their collaborations.
ENJOY
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