Book 21 - Ernst von Alphen "Francis Bacon and the Loss of Self"

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Ernst von Alphen "Francis Bacon and the Loss of Self" (Harvard University Press)



This book is a thought-provoking exploration of the renowned artist’s work. Van Alphen delves into the depths of Bacon’s paintings, unraveling their intricate layers and revealing profound insights.

Existential Anguish:
While many analyses of Bacon’s art focus on existential expression, Van Alphen takes a different approach. He contends that discussing Bacon’s work solely as an expression of an isolated individual overlooks an essential aspect—the viewer’s experience of pain.
Viewer’s Perspective: Van Alphen argues that the impact of Bacon’s art lies in how each viewer constructs their own identity from sensory evidence. We carve our “self” using the tools of representation, and Bacon’s unconventional manipulation of these conventions challenges our perception of reality.

Masculinity and Schizophrenia:
The book engages with theories of masculinity and schizophrenia, examining how Bacon’s distorted figures and fragmented narratives evoke a sense of dislocation and inner turmoil.


Pain and Identity:
Van Alphen’s investigation leads him to recognize that Bacon’s art resonates because it mirrors our individual struggle to define ourselves amid chaos. The pain we perceive in Bacon’s paintings reflects our own existential quest.
Beyond Surface Distortions: Rather than focusing solely on the superficial distortion of Bacon’s images, Van Alphen emphasizes the artist’s radical subversion of sensory conventions. It is this warping of conventions that confronts both “art” and our sense of self.

Conclusion
“Francis Bacon and the Loss of Self” invites readers to explore the interplay between art, identity, and perception. Van Alphen’s unique perspective enriches our understanding of Bacon’s enigmatic works, leaving us with a deeper appreciation for the complexities of selfhood and artistic expression.

Highly recommended to art students and imterested parties.